TarraWarra

I recently spent a wonderful week in Victoria with my very special friend who I met many years ago in high school (she now lives too far away in Darwin). We arrived on flights within an hour of each other (quite a feat from opposite ends of the continent), collected a hire car and drove a circuitous route to our destination, Healesville. After a short visit to a couple of wineries (a little too early in the day for tasting, even for me), we stopped by for a look at TarraWarra Museum of Art. Philanthropists Eva and Marc Besen began collecting works of art in the 1950s and realised their vision of establishing their privately funded museum with the opening of TarraWarra in 2003. The elegant building is the result of a competition between five of Melbourne’s outstanding architects. Allan Powell’s winning design hugs the contours, complementing rather than imposing on the landscape.

1.Tarrawarra Museum of Art2.TarraWarra Museum of Art3.TarraWarra Museum of Art

The scenery is sublime, adjacent to the TarraWarra Estate vineyards

4.TarraWarra Museum of Art5.TarraWarra Museum of Art6.estate

and further afield to the ranges.

7.view

We wandered into the current exhibition, The Tangible Trace, immediately awestruck by the light and magnitude of the gallery. There were numerous glass display cabinets (I now know they are called vitrines) containing stones, tiles, bits of brick and cubes of termite clay.

8.Domino Theory, Simryn Gill

The materials have been collected by artist Simryn Gill from around her studio in Port Dickson, Malaysia, near one of the world’s busiest trade routes, the Strait of Malacca. The pieces are traces of the movement of capital and power and the title, Domino Theory, refers to the Cold War concept that if one country fell to communism, others in the region would follow like dominoes, a policy used by the U.S. to justify its involvement in the Vietnam War.

An abandoned seaside motel in Port Dickson was Simryn Gills inspiration for Passing Through. The series of monotypes were created by placing coloured inks on the small white tiles of the former dance floor and imprinting onto paper.

14.Passing Through, Simryn Gill

The distorted, partially collapsed outline of Australia, Shilpa Guptas Map Tracing #7 – AU, was somewhat disturbing. The copper pipe has been manipulated to change the shape of the border, inviting us to consider the, “porous relationship between inside and out”.

16.Map Tracing #7 - AU, Shilpa Gupta

The large concrete slab covering the floor nearby, another of Shilpa Guptas creations, is engraved with the phrase, “The markings we have made on this land have increased the distance so much” in English, Hindi, Arabic and Chinese. The slab was smashed into fragments on site with the intention that the audience will each take away a piece and at the end of the exhibition, only a trace will remain.

17.engraving on concrete, Shilpa Gupta

The huge paintings of Carlos Capeláns Implosions series filled the walls of the next gallery.

21.Implosion series, Carlos Capelán

Upon entering the gallery, we were asked not to touch the curtains in the hallway as they were, in fact, an art installation. Sangeeta Sandrasegar has created five panels of Indian khadi cotton over-hung with silk organza, hand-dyed with indigo and Australian native cherry. What falls from view covers the windows in the Vista Walk gallery, changing the Yarra Valley landscape outside as the material wafted gently in the breeze.

22.What falls from view, Sangeeta Sandrasegar

The picture framed at the end of the hallway showed nature at her best.

23.view

What could be more beautiful than autumn hues in the morning sunlight?

24.autumn colours

Illume

Last Saturday brought the first day of winter, a perfect sunny day to drop the top on Cooper and take her for a drive to Boat Harbour for lunch. The restaurant at Killynaught Cottages has borne a few incarnations over the years and we hadn’t yet experienced the latest – Illume.

1.Illume Restaurant

The open fire was welcoming as we stepped through the doorway,

2.fireplace

it wasn’t the only cosy niche to relax with something tasty.

There are two large dining areas indoors,

5.dining area

one with an elegant leadlight window and quirky workstation.

The sun-filled patios are well protected from the elements

8.patio9.patio

and there are outdoor options for the warmer days.

10.outdoor seating

The views are absolutely stunning across rolling green farmland and the pristine waters of Bass Strait.

11.vista12.vista

For those wishing to stay, there are five heritage themed cottages to choose from, all furnished with authentic antiques and memorabilia of the Victorian and Federation eras.

13.Annie's Cottage & Victoria's Cottage

There is a variety of Tasmanian wines on the list, we chose a favourite, Ghost Rock Pinot Gris. Michael ordered the Salt & Pepper Calamari with apple slaw and aioli, a little disappointed at the lack of accompanying fries. We remedied this with a side order. I couldn’t resist the Wood-Fired Braised Lamb with potato mash, sautéed vegetables and honey & ginger dressing. I expected something along the lines of ‘pulled lamb’ and was surprised to see a lamb cutlet centre stage. There were, however, shards of succulent lamb under the solitary chop and the dressing was delicious.

The dessert menu offered the traditional treasures, resistance is futile. The Flourless Chocolate Brownie and Sticky Date Pudding received high praise.

In the name of research (if Crème Brûlée is on the menu, I am obliged to appraise), I ordered Honey Crème Brûlée, not suspecting there was a salty element to the crust. I don’t know if there was a mix up between the salt and sugar shaker in the kitchen but, despite the perfect consistency, I was not enamoured.

19.honey crème brûlée

The presentation of the Lemon Meringue Pie was quite spectacular.

20.lemon meringue pie

Next time, we will try the wood-fired pizzas, they looked amazing.

tiger tenants

The seasons have turned here in Tasmania and our long days of summer are behind us. Once again, we shared the garden with our reptilian residents for a few months but they have now found cosy homes for the winter. We can’t blame the snakes for wanting to live here, after all, we have created a paradise for them.

1.pond paradise2.pond paradise

We named our first lodger Suzy. She was quite small and liked to try out a variety of spots to capture the warmth of the sun.

Strangely, our large goldfish liked to keep her company.

5.Suzy

After a while, she left to make a home for herself in the forest and someone else moved in. He was looking rather dull and spent a lot of time among the rocks.

He then took to burying himself in the mulch, a bit worrying as there were times he was completely hidden. We assumed he was preparing to shed his skin, I was hoping to witness the process but I think it was done in private, we never did find the evidence.

8.tiger in mulch

It was at this point we realised we had two occupants, with one under the mulch and another in the favourite afternoon dappled shade position.

9.sleeping tiger

A short time later, perhaps after shedding, one moved out and the other remained. We would see her every morning catching the sun on the eastern side of the pond and then on the rocks under the callistemon in the afternoon. We had visitors for a couple of days in January and there was no sign of our tiger tenant until the afternoon of their departure, when she moseyed across the lawn to resume her residency.

10.tiger returns

Supposedly, tiger snakes don’t stay in one place for long but it seemed as though it was the same snake. She knew our voices and routines and was quite comfortable to lie undisturbed by our presence, we had a mutual respect for personal space.

13.tiger

We had a couple of very hot weeks in February where we saw no snakes and assumed she had moved on to start a family in the forest. One evening, we saw her (we like to think it was her) making her way up the driveway straight to the low birdbath we have for the wrens. I have never seen a snake drinking before, she was very thirsty.

14.thirsty tiger

When she had finished, she once again curled up in the shadow of the callistemon. You can watch a video of her drinking here, you’ll see the shadows of the wrens flying around, they weren’t happy.

 

mapali

Last month, the tenth biennial Ten Days on the Island festival inhabited Tasmania once again. Previously, the program has run throughout the state over the course of ten days. This year, it was split over three weekends, firstly in the northwest, then the northeast and concluding in the south. We  couldn’t resist the opportunity to experience the opening of the festival on the beach at Devonport at sunrise. mapali was a celebration at first light, narrated by David manganeer Gough featuring over a hundred performers from the indigenous community, Slipstream Circus acrobats, Taiko Drummers, school students and a community choir. We didn’t anticipate the crowd and lack of parking, the fires were alight by the time we reached the beach.

1.mapali

David’s voice was clear as he led a Welcome to Country ceremony, acknowledging the significant history of the northwest coastline and local aboriginal communities with the sweeping and smoking of the beach.

3.fires

The kelp gatherers made their way eerily from the shore in the firelight.

2.kelp harvesters

With the rhythmic beat of Taiko drums resounding in the still morning air,

4.Taiko drums

our attention turned to a solitary dark figure suspended in a hoop above the sand.

The drumming ceased while a chorus of ethereal voices harmonised from the balcony.

8.choir

Our senses feasted as a fusion of drums and chorus accompanied the visual spectacle evolving against the peppery hue of nature’s backdrop.

7.Taiko drums & choir9.acrobat

We were next summoned to the village, a representation of a traditional village of the punnilerpanner people who have lived in this area since the beginning of time.

18.the village

On this, International Women’s Day, David spoke in honour of the women who hunted off the coast for shellfish

19.David mangenner Gough

and gathered kelp to clad the huts.

20.kelp hut

He also paid respect to ongoing traditions that the women are passing on to the young, in particular, shell stringing. For thousands of years, Aboriginal women have been collecting maireener shells to make necklaces and bracelets. The shells can only be collected at certain times of the year and each necklace has a unique combination and pattern. Local schoolchildren had made huge effigies of the shells in readiness for this moment.

21.maireener shells

David instructed those positioned around the edge of the village to hold up the rope, a symbol of the twine that binds us together as people, and string on the maireener shells to represent a giant necklace.

22.maireener shells

He then commanded the lighting of patrula, meaning fire in palawa kani, the language of Tasmanian Aborigines.

With the sunrise ceremony concluded,

the crowd dispersed, the beach resumed its peaceful sublimity

27.Bluff Beach

and we went in search of breakfast.

Pumphouse Point

We recently ticked another item off the bucket list with a much anticipated weekend at Pumphouse Point. Here is a bit of history; Tasmania has relied on hydro-electricity since the early 1900s. In the 1930s, Lake St. Clair, the deepest freshwater lake in Australia, became the focus of a new pumping station. The water would be pumped from the lake and stored, to be fed to nearby Tarraleah Power Station as needed. Construction began on a 5-storey pumphouse, 900 feet out in the lake, to house four huge water pumping turbines and was completed in 1940. Sadly, after all this effort, the site was never used and after being decommissioned in the 1990s, was placed on the Tasmanian Heritage Register for its significant industrial heritage. Parks & Wildlife Service were appointed caretaker and thoughts turned to tourism opportunities. After unsuccessful tenders by two different developers, Simon Currant, a man with great vision, secured the lease in 2004 and a decade of hard work saw Pumphouse Point brought back to life in 2015. Our first glimpse of the pumphouse was thrilling, the imposing edifice was minified by the expanse of nature.

1.the pumphouse2.the pumphouse

Lake St. Clair is as pristine today as it was when Europeans first arrived in 1832. The original inhabitants, known as the Big River Tribe, called the lake Leeawuleena, meaning ‘Sleeping Water’.

3.Lake St.Clair

We were greeted at the reception lounge with the question, “would you like a glass of Tasmanian sparkling wine?” Not a difficult decision to make. Our bags were then loaded onto a ‘flume buggy’, similar to a golf cart, and we were driven the 240 metres along the flume to the pumphouse. The drivers reverse all the way along (there is nowhere to turn around at the end) and we sat on the back with a perfect view of the approach.

4.the pumphouse

Our room on the middle floor captured the afternoon sunlight

and had everything we could possibly need. The kitchenette (with two fridges and a coffee machine) was laden with sumptuous Tasmanian produce, beer, wine and cider, all at very reasonable prices.

Hidden behind what at first appeared to be a mirrored wardrobe was the ensuite with industrial tapwear, all natural Australian products and the biggest shower head I have ever seen. We discovered when we turned on the light, the mirror wasn’t a mirror at all.

10.ensuite

The three floors of the pumphouse have four rooms on each, as well as options for lounging. The ground floor lounge has a bar and wood heater, one of the original turbines is visible through a glass panel in the floor. For some reason I didn’t take a photo so have procured one from the website.

13a.ground floor lounge, pumphouse

The lounge on the middle floor was right next door to our room, almost an extension of our private domain. The walls of rough sawn Tasmanian Oak boards added to the cosy ambience,

14.lounge, middle floor pumphouse

it was difficult to concentrate on reading with so much beauty just outside the window.

15.view from middle floor lounge

On the landing between the middle and top floors, there is a small library of books and board games.

16.library

There are another six rooms in the Shorehouse.

17.The Shorehouse

Formerly used as the substation for the facility, the art deco exterior has been preserved

18.The Shorehouse

and some of the original features have been blended with the contemporary furnishings.

There is no shortage of seating in the ground floor lounge, all with stunning views across the lake. A perfect place to relax with a purchase from the bar.

21.The Shorehouse22.The Shorehouse23.The Pumphouse

There are no bar staff, it works on an honesty system. You select your preferred tipple, write it on the list and settle the bill on departure. Once again, we found the prices surprisingly reasonable, certainly not the over-inflated dollars you find in a hotel mini-bar. A stylish extension to the Shorehouse sets the scene for a superb evening dining experience

26.dining room, The Shorehouse

and, of course, another view of the Pumphouse.

27.the pumphouse

Dinner is a wonderful opportunity to meet fellow travellers, tables of six or eight are filled at random and conversation never wanes. The menu differs each day but always fresh Tasmanian produce from Coal River Farm. We started our Friday feast with pumpkin, roast capsicum & paprika soup with thyme & parmesan flatbread. Soup and dessert are served individually, main course is a shared table experience. I was otherwise occupied, choosing another bottle of wine, when main course was served so you will have to imagine braised Cape Grim beef shin with rosemary & orange jus, confit baby potatoes, broccoli gratin and Tasmanian hot-smoked salmon with crème fraiche & capers. My apple & brandy cake with salted caramel walnuts came with a special embellishment and a rousing chorus of ‘Happy Birthday to You’.

Relaxed and replete, we strolled back to the Pumphouse under a clear, star-filled sky.

31.The Pumphouse at bedtime

I could happily have stayed in bed and watched as the rising sun created an ever changing palette across the water

32.morning view from room

but breakfast beckoned. A self-serve affair, there was plenty to choose from including home-made baked beans, crispy bacon and a range of cheeses to make your own toastie. Or you can cook your eggs just the way you like them.

On the subject of food, you can order fresh crusty bread any time of day. We had a loaf delivered to our room for lunch which we devoured with cheese and olives while watching the world go by from the lounge.

36.house made fresh sourdough

After lunch, we set off to discover some of the walking tracks around the property. Why walk when you can ride a bike?

37.bikes38.view from Frankland Beach

Across the bridge near reception,

39.bridge

the trail leads to Sunset Seat, a secluded spot with a rustic bench to sit and enjoy the sunset.

40.Sunset Seat

We were a little early for that but had a great view of the Pumphouse from a different angle.

41.the pumphouse42.the pumphouse

Further along the trail, we found Basin Seats, another lovely spot to sit and contemplate,

43.Basin Seats

overlooking Derwent Basin to Manganinni Island.

44.Derwent Basin & Manganinni Island

On the eastern side of the basin, a pontoon sits at the end of the track in St. Clair Lagoon. We had intended taking a dinghy out on the water but the wind had picked up and we weren’t too confident of our rowing prowess.

45.dinghies, lagoon

It would have been the perfect way to spend an hour or two, drifting around in the peace and quiet.

46.lagoon47.lagoon48.lagoon

Back in our room, we realised we could see Sunset Seat across the water.

49.sunset seat from pumphouse

We returned to the Shorehouse for a beverage before dinner where we were, once again, presented with fabulous fare. Starting with chickpea & swede soup with parsley oil and thyme & parmesan flatbread. We shared plates of Coal River Farm pork belly with spiced apple puree & cider reduction, baked cauliflower with caramelised onion, tahini & sesame seeds, green beans & Coal River Farm feta and pressed Cape Grim beef terrine with green peppercorns & crème fraiche. Finishing with dark chocolate, raspberry & cocoanib crunch with raspberry ice cream.

We farewelled Pumphouse Point after breakfast the next day, vowing to return and experience the wonder in winter snow.

53.the pumphouse