isolation

Some of you will know, at this point in time we should be enjoying the second half of our long awaited holiday in New Zealand. It all came to a very messy end last Wednesday when we learned all Australians had been advised to return home while they still could. We changed our flights to the earliest we could get, which was Monday, and continued with our plans for another three days. We returned the hire car and spent our last night in luxury at the new Novotel at Christchurch Airport. We wandered across to check in at 10.45am for the 1.45pm flight and the queue was already horrendous, it didn’t move at all until 11.20am. It seems that the ban on gatherings of 100 people or more isn’t applicable at airports! Speaking of bans, why has no-one mentioned covering your mouth when you yawn. Have you seen the spray of saliva droplets when someone yawns? Have you noticed how many people at airports yawn, especially when trapped in a check-in queue? Of course, there are those who chose to wear masks. After 22 years of my career working in the operating theatre, I thought I had mastered the face mask but it seems to have evolved into an art form. There is the chin mask, the ‘now you see it, now you don’t’ mask (lowered to the neck to facilitate consumption of a burger), the random scarf or bandana and my favourite, the eye shade mask. Simply invert your complimentary airline eye shades and wear over the nose and mouth!

We finally made it to the desk after fifty minutes and that is only because a very large portion of travellers were removed from the waiting line. It seems their connecting flight from Melbourne to their final destination had been cancelled and they couldn’t enter Australia without an onward flight. Arriving in Melbourne, we made our way to the Domestic Terminal, mortified to discover all seating areas in bars and eateries were closed, only take-away was available. That meant no wine to ease the pain of a four hour wait and a dinner of crisps and a chocolate bar! It also meant those people who would ordinarily have sat eating at tables were now thrown even closer together in the transit lounges.

Finally made it to Devonport soon after 9pm, with the help of wonderful friends our car was waiting for us, the keys with the ground staff. We weren’t allowed contact with anyone and are now in isolation at home for two weeks. Our lovely housesitter, Karen, had to rearrange her plans to depart before we arrived home. She did an amazing job of stocking the freezer, fridge and pantry before departing, thank you Karen, we will want for nothing.

Disappointed as we are to have our adventure cut short, there are worse places to be quarantined.

1.house2.view3.house

We have good company

4.Poppy

and a veggie patch burgeoning with produce.

There are soups and jams to be made as well as gardening to catch up on. We still have 15 cubic metres of mulch to spread

13.mulch

and many odd jobs to complete. I don’t think two weeks will be long enough!

Shadowfax & sculpture

While exploring Werribee Park Estate, we wandered a little further to investigate Shadowfax Winery  The rusted sheet metal exterior glowed in the late afternoon sun,

1.Shadowfax Winery

the unique architecture somehow blended with the surroundings.

2.Shadowfax Winery

Established in 1998, the unusual name was inspired by the magnificent silver-grey stallion ridden by Gandalf in Lord of the Rings. The wines are created from fruit sourced and hand-harvested from Shadowfax vineyards in the Macedon Ranges as well as those adjacent to the winery at Werribee.

3.Shadowfax Winery

Although the cellar door was busy with a large group pre-dinner, we were welcomed and enjoyed our own pre-dinner tasting.

4.Shadowfax Winery

Not able to take too much in my hand luggage, I did leave with a bottle of 2018 Minnow red, a delicious blend of Mataro, Grenache, Carignan and Mondeuse grown right there at Werribee.

5.Minnow

Returning to the hotel, we spied an interesting sculpture and discovered the Werribee Park Sculpture Walk. Created in 2004 featuring works by Australia’s leading sculptors, there are thirty pieces installed along a trail from the rear of the mansion, through the gardens to the river. As daylight was fading, we only had time to see a small part of the display. Previous winners of the Helen Lempriere National Sculpture Award are homed here, including The Comrade’s Reward by William Eicholtz, winner in 2005. Described as a traditional 19th century garden sculpture with a camp twist on heroism, the solar powered lights shimmer after dark giving an impression of fireflies.

6.The Comrade's Reward - William Eicholtz, 2004

The monochrome steel ruin, Death of a white good by Alexander Knox, took the award in 2006.

Also from 2006, a commended work by Ian Burns & John Clark, Migration, is “concerned with the movement and relationship between the individual components and the mass they represent in formation”. (Sorry about the photo quality).

The inaugural winner in 2001, Hut by Karen Ward, is intriguing in its simplicity yet the symbolism is quite poignant. “Hut symbolises the house, the home, the shack, the cubby-house and the hermit’s retreat. It also alludes to the potential to dream that is inherent within all of these structures, yet dreaming is only made possible by the Hut’s inaccessibility.”

11.Hut - Karen Ward 2000

Holy Trinity

There is a spectacular edifice in Launceston that I have long admired and I recently realised how odd it is that when we travel overseas, we eagerly visit cathedrals and churches and yet never indulge here at home. Unbeknown to me, Michael contacted the church and while in Launceston last month, we were guided through Holy Trinity Anglican Church by Janet, an enthusiastic parishioner with an extensive knowledge of local history. The first Holy Trinity Church was built on this site in 1842 but when it became unsafe renowned architect, Alexander North, designed a replacement. The present church opened in 1902

1.south face Holy Trinity Church

and has been added to over the years to more resemble the original design. Described as Federation Gothic, the angles and features are fascinating.

2.Holy Trinity Church3.Holy Trinity Church

8.east face Holy Trinity Church

9.west face Holy Trinity Church

North’s vision of a more imposing structure would have seen a building twice the size with a spectacular spire at the western end.

10.original design

When Alexander North died in 1945, a former colleague designed a rose window in memory of North and his wife which is now mounted and backlit in the foyer of Holy Trinity.

11.rose window

Stepping into the interior of the church, the sheer magnitude and workmanship were breathtaking.

12.looking east

The morning sun is diffused through the glorious stained glass windows at the eastern end,

15.east wall

a memorial to Archdeacon Francis Hales, who presided over Holy Trinity for forty six years.

The massive rose window above represents the sun surrounded by angels.

19.window

On either side of the window, ceramic tiled panels, made in Italy to North’s design, depict incidents in the life of Jesus Christ.

20.ceramic tile panel

Intricately carved choir stalls on either side of the chancel

sit below the organ loft.

23.organ loft

We climbed for a closer look at the magnificent pipe organ, a work of art by George Fincham in the year 1887.

24.organ

From that height, the church took on new proportions

25.north wall from organ loft

and a different perspective of the beautiful altar

26.altar from organ loft

as well as the eastern windows

27.rose window from organ loft28.stained glass window from organ loft

and the detailed stone carvings surrounding them.

Further stained glass work brightens the north wall

and four more light the south transept.

Baptismal fonts often appear understated in their opulent surroundings but this is certainly an exception. An elaborate wooden scale model of the planned spire sits atop the font and is raised and lowered as needed for ceremonies.

40.font

A striking eagle decorates the lectern to the right of the chancel steps

41.lectern

and to the left, another fine example of the use of timber. The pulpit was created by local men from Tasmanian hardwood scaffolding used by the bricklayers in the construction of the church.

42.pulpit

A small rounded side chapel, commonly referred to as the ‘Lady Chapel’ dedicated to the Virgin Mary, is used for more intimate services

43.Lady Chapel

and is graced with more exquisite stained glass and carvings.

47.carving

The church walls are adorned with memorial plaques,

48.north wall

gargoyles and coats of arms and a large honour board remembers 165 Holy Trinity Anglican parishioners who fought in World War I.

51.War Memorial

A big ‘thank you’ to Janet for taking the time to share Holy Trinity with us. Without her inside knowledge, we would have missed so much, including the surprising reflection of the east wall rose window above the western entrance.

52.reflection

The Mansion Hotel

One of the places on our list to visit while in Werribee was the historic 19th century mansion and gardens. When we discovered the estate included a hotel, we decided to indulge and stay the night. The Mansion Hotel evolved from the former St. Joseph’s Seminary adjacent to the mansion itself. Created in 1926, the college lay derelict for nearly thirty years from 1972 when students were moved to a new campus. Rescued and restored, the boutique hotel opened its doors in June 2000.

1.The Mansion Hotel

Period features have been retained, with a contemporary twist for the lounge areas of the reception foyer.

2.lounge3.lounge

The library was once part of the chapel, the original stained glass windows complement the rich surroundings,

4.library

8.library

the snooker room is equally inviting.

9.snooker room

It was a little early to sample something at the opulent bar

10.bar

and the setting of tables in Joseph’s restaurant was imminent.

11.Joseph's Restaurant

The hotel comprises classic heritage rooms as well as deluxe accommodation in the new spa wing.

12.spa wing

Up the stairs

13.staircase

and across a walkway

14.walkway

we found our very comfortable room.

15.room

The shadows were lengthening as we set off to explore,

16.terrace

the evening sun highlighted the mansion in all her splendour.

17.The Mansion

Magnificent sweeping lawns and formal English gardens make up the ten acre estate.

A rather stunning door

21.back door

leads to the rear and a  different perspective of the palatial buildings.

22.rear view23.bluestone outbuilding

We returned to the hotel

to prepare for dinner in Joseph’s Restaurant, named in honour of the seminary. The menu changes with the seasons to take advantage of the produce grown in the heritage vegetable gardens of the estate as well as the wild and native foods available. Sprouted rye sourdough was accompanied by smoked organic butter and pepper-leaf oil from the Mansion’s ancient peppertrees.

26.sourdough

Our first course choices were Black Cobia with bug dumplings, shiso, shitake, kombu & lemongrass broth and Seven Hills goat ‘brik’ with preserved lemon, wheat, pickled chayote & goats curd.

Second course followed; Yarra Valley pheasant with bread & butter pudding, wild nettles, lardo, pine mushrooms & onion soup and local barramundi with Jersey royal potatoes, warrigal greens, quail egg, black olive & scampi anglaise.

The Musquee De Provence pumpkin pie was divine

31.pumpkin pie

and, even though the servings weren’t huge, we barely had room for the warm mulled wine.

32.warm mulled wine

Fortunately, the perfect end to a fabulous day was only a staircase away.

Festivale

The first weekend in February brings a very special event to Launceston in the form of Festivale. Our first experience was in 2009 soon after relocating to Tasmania and, even though we had good intentions, we hadn’t attended since. This year we couldn’t resist the drawcard on the music menu. Festivale was launched in 1988 as a big street party in the CBD as part of Australia’s bicentenary celebrations. After seven years in the CBD, the annual event moved to City Park, showcasing Tasmanian gourmet food, wine, beer, cider and spirits along with entertainment by local and interstate artists. Unfortunately, the weather gods did not cooperate this time. We arrived for the 10am opening armed with raincoats and umbrellas and, resisting the temptation at the myriad stalls, sought a hot chocolate starter.

The sounds of jazz filled the park as the Ross Challender Big Band defied the elements,

8.Ross Challender Big Band

their melodies accompanied our survey of produce on offer.

Ample seating, hoping to deflect the rain, awaited in anticipation of the crowds to come.

12.seating

I was more than a little disconcerted when the local constabulary accused me of having them under surveillance but with some smooth talking, I convinced the kindly Commissioner that I was merely there to enjoy the festivities.

15.Commissioner

With wine in hand, we secured seats as the big band concluded their last number.

16.Ross Challender Big Band

The Dave Adams Band changed the tempo and rocked for the next hour before Russell Morris took to the stage. Yes, Russell Morris, Australian rock legend, stirred the gathering with his stalwarts from the early years (I remember The Real Thing from 1969, how can it be that long ago?) as well as his more recent melodies. Natures canopy that had sheltered us from the rain earlier was now shielding us from the sun

17.tree canopy

as the crowd eagerly awaited the main attraction.

18.The Whitlams

The Whitlams have been one of our favourites since their inception nearly thirty years ago yet we had never seen a live performance. They didn’t disappoint and hopefully we will have the opportunity to see them again soon (if you think there are a lot of photos of Tim Freedman, you are absolutely right).

23.The Whitlams

We left our empty friends

28.the last three

and strolled the short distance to our hotel to indulge in a nanna nap before dinner.

29.The Cornwall Hotel