Bruno’s Art & Sculpture Garden

Leaving Steavenson Falls, we had hoped the rain would abate for our visit to Bruno’s Art & Sculpture Garden in Marysville. It didn’t. As we pulled into the car park, the gallery was obviously closed but we discovered an honesty box for the $10 entrance fee to the garden. Grab your umbrella and come for a walk while I tell you more.

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Bruno Torfs was born in South America and moved to Europe with the family in his teens. After training as a sign writer, his talents evolved through many trips to foreign lands and he made the transition to a full time artist. Oil paintings and sculptures, reflecting scenes and faces of his journeys, were sold in exhibitions at the family home.

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Bruno and his family moved to Australia and in 1996, found the perfect setting to create a permanent sculpture garden in the sub-alpine forests of Marysville. Hand crafted from clay and fired in a kiln onsite, there are now around a hundred and twenty pieces on display.

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The path diverges in all directions through the forest and everywhere you look, there is another character waiting to delight.

On 7th February 2009, the bushfires of ‘Black Saturday’ raged through Marysville, claiming lives and decimating the township. Bruno’s home, gallery and gardens were completely destroyed. For two months, no-one was allowed in the town and when Bruno finally returned, he set about rebuilding his home and restoring his garden.

There are pictures on the website taken the day Bruno returned after the fires. Next to this installation, there is a heartbreaking photo of Bruno carrying all that remained of The Lady of Shallot from the stream.

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Some figures emerge from the remnants of the woods, melding nature’s work with man’s.

Bruno’s courage and dedication has resulted in a wondrous fantasy land, an opportunity to escape for a while in a surreal environment.

As we left, the remains of Bruno’s 1960 BMW R27 motorbike jolted us back to reality with a reminder of the devastation wrought by the fires of Black Saturday.

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Black Spur

The Black Spur Drive is a thirty kilometre stretch of road between Healesville and Marysville in the Yarra Ranges. The meandering course, with sharp bends and gentle gradients, promises spectacular scenery along the way. Towering mountain ash trees rise above a lush forest of tree ferns.

1.Black Spur

Unfortunately, our scenic drive didn’t go quite as planned thanks to the weather gods, although the rain and mist didn’t dampen the beauty of nature.

2.Black Spur3.Black Spur

Originally known as ‘The Blacks’ Spur’, the road follows the route taken by displaced indigenous people to Coranderrk Aboriginal Station in the late 1800s.

4.Black Spur

Horse drawn coaches also carried miners and settlers to the goldfields along this section of the old Yarra Track. It became popular for tourists and photographers and a bus service, operating two twelve-seater Buick charabancs, was introduced in 1916.

5.charabanc courtesy of australianmountains.com

Photo courtesy of australianmountains.com

We resisted the suggestion in the tourism brochure to, “roll down the windows and experience fresh crisp air any time of the year”, and had to settle for photographs through the car window.

6.Black Spur

Our destination of Marysville is home to one of Victoria’s highest waterfalls, nestled in native forest in the surrounding mountains.

7.Steavenson Falls

Steavenson Falls are named after John Steavenson, the Assistant Commissioner of Roads and Bridges who first visited the site that is now Marysville, in 1862. Opinion on the actual height of the falls seems to be divided, some claim 122 metres while others suggest 84 metres. Either way, there are five cascades, the last one descending 21 metres into a small rock pool.

8.Steavenson Falls9.Steavenson Falls

Residents first cut a track to the falls in 1866, it is now an easy walk from the car park to see natures wondrous display. The weather wasn’t conducive to walking to the viewing platforms below or above the falls, I’m sure it would have been spectacular. The falls are floodlit until 11pm each night, a turbine driven by water at the base of the falls generates the power. What a lovely place to spend a summer evening.

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The Krystyna Campbell-Pretty Fashion Gift

This exhibition at the National Gallery of Victoria was top of our ‘must see’ list when we visited Melbourne in June. Philanthropist and NGV Foundation Board Member, Krystyna Campbell-Pretty has purchased more than 250 garments since 2015 and gifted them to the NGV in memory of her late husband, Harold Campbell-Pretty. We took our time absorbing the wondrous collection of haute couture garments on display. This was more than just a presentation of beautiful attire, it was a reflection of a changing society and the evolution of women’s roles. The gowns of the Belle Époque, French for ‘beautiful era’ (spanning 1871– 1914), portrayed a diverse range of styles. Around the turn of the century, the exaggerated S-shape was attributed to the diabolical corsetry endured by women of this time.

1.(L-R)Félix,dinner dress 1889; France, day suit 1900

Callot Soeurs was established in 1895 by four sisters who had previously owned a small shop that specialised in quality lingerie, ribbon and laces.

2.(L-R) Callot Souers, afternoon dress 1900; Callot Soeurs, afternoon dress 1905; Callot Soeurs, evening dress 1910

Charles Frederick Worth, considered to be the father of haute couture, founded the House of Worth in the 19th century.

6.House of Worth, evening dreses 1912

Around 1906, dresses became more linear and women were freed from their constricting undergarments.

The Jazz Age of the 1920s brought loose fitting, unstructured garments adorned with sequins, beads, lace and fringing.

The Parisian couture house of Boué Soeurs opened in 1899 and was known for its feminine, romantic style. Their 18th century inspired robe de style featured lace, embroidery and ribbon-work flowers. The contours of the wide skirt were achieved with the use of hoops underneath the fabric.

15.(L-R)Boué Soeurs, evening dress 1923; Boué Soeurs, Romance, robe de style 1925

Elsa Schiaparelli began designing her own collections in 1927. This beautiful green evening coat, part of her Speakeasy collection in 1932-33 during Prohibition, had a small back bustle where a flask of contraband alcohol could be concealed. The black silk velvet evening coat was created by Lucien Lelong in 1935, around the time he was elected chairman of the Chambre Syndicale de la Couture (the governing body of the French haute couture industry).

16.(L-R)Schiaparelli, evening coat 1932; Lucien Lelong, coat 1935

In 1854, the U.S. forced Japan to open up its borders to international trade and the French term, Japonisme, encompassed the resulting fascination with Japanese goods. Capes, cloaks and coats of the early 20th century reflected the form of the kimono, often embroidered with Japanese motifs.

19.(L-R)France,evening coat 1920; France, evening cape 1925; Madeleine Vionnet, evening cape 1928

Madeleine Vionnet was known as the ‘Queen of the bias cut’, her designs were feminine, streamlined and close fitting.

21.Madeleine Vionnet, (L-R) evening dress 1933, 1931, 1938, afternoon dress 1923

Formally trained as a sculptor, Madame Grés began producing high fashion in the early 1930s. The art of pleating and draping was perfected in her designs, the bodices were exceptionally elegant.

Jeanne Lanvin’s garden party dress and Jean Patou’s afternoon dress of the 1930s were floral and feminine.

A marvellous display featuring many incarnations of the ‘little black dress’ took centre stage in a gallery among mid 20th century paintings. The inception of the LBD has long been associated with Gabrielle ‘Coco’ Chanel.

Evening dresses of the 1930s exuded glamour and luxuriant fabrics enhanced the female form.

The 1940s brought a spectrum of silhouettes, from evening dresses to dinner jackets and day suits.

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Schiaparelli’s afternoon dress seemed remarkably demure next to Molyneux cocktail dresses.

Moving into the 1950s, the evening gowns were nothing short of spectacular.

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Christian Dior created thousands of pieces in the ten years he presided over his couture house, continually manipulating hem, bust and waistlines. His stunning, shorter style dresses were in company with those from Rochas, Lanvin and Carven.

55.(L-R)Christian Dior, dress & jacket 1956; Christian Dior, Cuba evening dress 1954; Rochas, dress 1950

57.(L-R)Christian Dior, Mexico cocktail dress 1954; Lanvin, cocktail dress 1955

The creations of Cristóbel Balenciaga reflect the changing trends through the 1950s and 60s.

Paco Rabanne liked to make garments from unconventional materials rather than cloth. I don’t think I’d like to sit down wearing this metal mini dress.

62.Paco Rabanne, mini dress 1967

Through the 1960s and 70s, Yves Saint Laurent presented more contemporary designs with masculine lines and bohemian elements.

His garments from the 1990s returned to more feminine contours, the tribute to his couture house ensemble (on the left) took 700 hours to complete. The rock-crystal and gilt embellishments were all hand embroidered.

70.(L-R)Yves Saint Laurent, Look 46 coat and dress 1996; Yves Saint Laurent, Look 89 evening dress and robe 200171.(L-R)Yves Saint Laurent, Look 96 evening dress 1990; Look 67 evening dress 2000; evening dress 1990

The square shouldered, tailored suits of Claude Montana and Thierry Mugler were a sharp contrast to the flowing form of Azzedine Alaìa and golden ensemble of Zandra Rhodes.

72.(L-R)Claude Montana, jacket & bodysuit 1992; Thierry Mugler, suit 1998; Alaïa, dress 1985; Zandra Rhodes, evening ensemble 198173.Alaïa, dress 1985; Zandra Rhodes, evening ensemble 1981

Christian Lacroix is known for his opulent, colourful garments and his varied designs reflect fashion history.

The exhibition also included original sketches and drawings, photography and fashion magazines as well as handbags and shoes. Far too many to photograph.

Sharmans Wines

We were running a little early for our lunch date at Josef Chromy and took the opportunity to discover Sharmans Wines, a place we had passed many times but never visited.

1.Sharmans Wines

The vineyard was established in 1986 by Mike and Philippa Sharman and is the oldest existing vineyard in Relbia. It changed hands in 2012 when purchased by Ian and Melissa Murrell who have since redesigned and renovated the buildings. The original Sharmans residence is now a bright, welcoming Cellar Door. It is no surprise to learn that Melissa is a very talented interior designer.

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8.Cellar Door4.Cellar Door7.Cellar Door

The extensive use of timber, much of it reclaimed from the original boardwalk at the Launceston seaport, enhances the warming ambience. We sampled a few wines at the tasting bench, hosted by a very knowledgeable young woman with beautiful autumn locks. We resisted the opportunity to simultaneously work off the calories whilst quaffing.

9.Cellar Door stools

I can think of no better excuse to take time out and smell the roses.

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The colours of the flowers are echoed in the bespoke light fittings created from recycled plastic by Melbourne designer Marc Pascal.

The floor to ceiling windows make the most of the spectacular view over the vines to the North Esk River and beyond

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and can be opened completely to incorporate the al fresco dining area.

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The attention to detail continues through the landscaped gardens and exterior design.

Tasty platters, loaded with Tasmanian produce, are available to savour while enjoying the vista, accompanied by a glass (or bottle) of your chosen tipple. We left Sharmans feeling very pleased with ourselves and our purchases.

Maroondah Dam

The day we had planned for a scenic drive from Healesville dawned wet and windy but, with limited time, we forged on regardless. Ten minutes down the road, we parked at Maroondah Dam and braved the elements to explore the beautiful gardens. Landscaped in the early English style after the completion of the dam wall in 1927, exotic and native trees cohabit. Some had shed the last remnants of their autumn apparel

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while evergreen stalwarts proudly displayed their verdure.

2.Maroondah Reservoir Park

The Rose Stairway, constructed in the 1940s, was so named because the stone steps were originally flanked by roses. For some reason, they were replaced around 1980 with Golden Pencil Pines.

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We ascended the stairs to the small rotunda at the top and,

4.Rotunda, top of Rose Stairway

following a signpost to the dam wall, passed another of the five rotundas in the park, the Bell Rotunda.

5.Bell Rotunda

The path led across the dam wall to a lookout on the other side but we weren’t willing to challenge the ferocious wind.

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With camera in one hand and inverted umbrella in the other, I ventured far enough to catch a glimpse of Maroondah Reservoir. The 26,000 acre catchment area is entirely eucalypt forest and no human activity is allowed on the water.

7.Maroondah Reservoir

Risking life and limb, I was determined to get one shot of the temple-like outlet tower.

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The impressive 41 metre high concrete dam wall is arched to withstand the pressure of the water upstream.

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We beat a not too hasty retreat down the Rose Steps, hoping to avoid spectacular slippage,

10.Rose Stairway

stopping to admire a very late or very early Azalea bloom.

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The towering dam wall is even more dramatic when viewed from below.

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The valve houses have stood the test of time and are even more beautiful wearing nature’s adornments.

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Seemingly a serene lily pond, the compensation channel is the point where water released from the reservoir flows back into the Watts River.

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Spring would be the perfect time to explore the park, stroll along the walking trails and perhaps enjoy a picnic. We will just have to return one day.