renovation ruminations: part 8

After ten years lamenting the eyesore across the garden, the time had come to do something about it. It was so horrible, this is the only photo I could find.

A few bits of timber and tin had been thrown together to resemble sheds by the previous owners, handy storage but not pretty.

Demolition began in November 2018, a very satisfying exercise.

The initial plan to ‘use & re-use’ as much as possible with timber framed windows and doors from the salvage yard. I set to with a scraper, sander and heat gun, hoping to have them prepared before the builders needed them.

The new slab was poured in February (Poppy made her mark) as well as a smaller
3m x 3m and we possum-proofed them for a few days.

When we demolished the 6m x 3m tin shed we resurrected the best panels and turned it into a 3m x 3m shed, hence the smaller slab.

We finally pinned down the builder to do the frame in April, a hasty job that was left largely unfinished.

We completed the structural work with advice from a building surveyor and got on with the cedar cladding in the hope of being weatherproof before winter. The builders had put the colorbond on the roof but hadn’t finished the edges so we temporarily fixed some old flashings until we could find a roofer willing to finish the job. We had since realised the windows were a step too far, it would take far too long to restore them and the end result wouldn’t be as we pictured. We ordered new windows to match those on the house, another six week wait and we halted cladding until they arrived.

There was plenty more to keep us occupied. We finished wrapping the carport area and, with a few acrobatics involved, applied the colorbond to the outside.

A bit more cladding,

fitting the back door

and the new windows arrived two weeks early. We replaced the old ones and finished the cladding

but the season had changed and it was too cold to apply protection until summer.

Many years ago, Michael found an old door at the salvage yard that was too nice to leave there. It has rested in the garage for eight years and now has pride of place as the front door. With the warmer weather, I could finally attempt to restore it to its former glory.

More delays ensued waiting for the electrician and we were now into May 2020. Once his cabling was in, we fitted the insulation batts

and the plasterers were able to work their magic.

We had decided on epoxy resin with vinyl flakes for the floor and the next few weeks were a juggling act between the plumbers and the flooring contractor. With the heat pump installed we could paint through the cold months and apply architraves and skirtings.

A kitchenette is next and some comfy couches and we have a lovely music studio to relax in as well as a more pleasing vision across the garden.

Stonyridge Vineyard

A stunning scenic drive from Matiatia Bay along narrow, winding roads brought us to the first port of call on our Taste of Waiheke Tour, Stonyridge Vineyard.

It wasn’t long before we were greeted with a lovely smile and a tray of welcome tipple.

Gathering in the dappled shade of the olive grove, we heard more about the superb wines we were tasting in the company of gnarly aged cork trees.

Stonyridge became the first commercial olive grove in New Zealand after friends and family initially planted the trees in 1982.

The first Bordeaux vines were planted the same year followed by Cabernet Franc and Malbec in 1983. Owner Stephen White produced the first vintage two years later and Stonyridge is now recognised as the home of world class Bordeaux style red wine. There was no shortage of comfortable seating to relax and savour a beverage while enjoying the expansive vista across the north facing vineyard.

Tables were set for our little group and we selected a wine to accompany the delicious quiche & salad.

We would have been happy to stay all afternoon but this was just the beginning.

RetroGusto

Arriving in Bolsena, we found a very convenient car park in Piazza Matteotti, a perfect starting point to explore the town. Through the medieval arch leading to Corso Cavour,

we were distracted from our mission upon discovering RetroGusto. The unassuming exterior belied the wonder within,

this place was much more than just a grocery store.

The range of local produce was boggling

but with a little help and a few samples to taste, we indulged in a delicious platter accompanied by a glass of exquisite vino rosso.

Armed with a selection of goodies for future consumption (the truffle salami could not be left behind), we thanked la bella signora and returned to our mission.

paper on skin – the film

Last Friday evening, we attended the premiere screening of Design Eye Creative paper on skin 2020 – The Film. It was wonderful to watch these fabulous garments brought to life on the big screen and to have been a part of the journey. The film can be viewed as a whole or in sections and another presents a forum with the judges explaining their rationale. They can be viewed on the Burnie Arts Council website here, sit back and enjoy.

Winner of the $5,000 Design Eye Creative Major Award, Waratah by Amanda May (VIC)

Kings Domain

After a couple of hours absorbing the exhibitions at the NGV, we made the most of the winter sunshine with a stroll through Kings Domain. Established in 1854, the mix of deciduous and evergreen trees, both native and non-native, in the 36 hectare parkland renders a beautiful autumn aesthetic.

Myriad memorial statues and sculptures are scattered throughout the Domain making for a very interesting amble. The Walker Fountain was donated in 1981 by former City of Melbourne Mayor, Ron Walker and his wife, Barbara. With 46 underwater lights and 144 individual streams of water, I imagine it would be a spectacular vision at night.

The parks namesake, King George V, is memorialised with a lofty bronze, granite and sandstone sculpture. Following his death in 1936, a public appeal was launched to secure funds for the memorial, however, World War II delayed the construction and it wasn’t unveiled until 1952. A statue of the late King in full Garter Robes, wearing the Imperial Crown and holding the ceremonial sceptre and orb, stands on the eastern side. Because the sun was in its descent, I have captured the western face and the statue representing Maternal Britannia holding a cross and olive branch in her hands, symbolic of love and peace. The two children represent the Dominions and Colonies under British rule, while a lion and unicorn holding armorial shields flank the base.

Arriving in Victoria in 1899, Russian immigrant Sidney Myer is probably best known for his successful retail businesses. He was also a violinist with a passion for music and initiated a series of free open air concerts in the Botanic Gardens with the Melbourne Symphony Orchestra in 1929. He had expressed a wish for these concerts to continue and, following his death in 1934, the Sidney Myer Charitable Trust funded the design and construction of the Sidney Myer Music Bowl. Opened in 1959 by prime minister Robert Menzies, the venue holds the record for the largest crowd ever at a concert event in Australia when 200,000 people attended the 1967 Seekers homecoming concert. Officially, there is fixed seating for around 2,000 people and the surrounding lawn area can accommodate a further 10,000.

On this day there was an audience of one, a slender young woman seemingly captivated by the music. Miraggio, also known as Seated Figure, by Pino Conte was donated by an anonymous ‘Lover of Italy’ in 1964 and was installed following re-landscaping of the site in 2001.

Through the trees, sleek glass edifices tower paradoxically with the elegant belvedere tower of Government House.

The Seeds of Friendship sculpture was installed to commemorate the 100th anniversary of the Gallipoli landings in 2015. Two hand-carved granite seed cones, a pine from Turkey and a casuarina from Australia, represent the fallen, the seeds of friendship and the future. The filigreed stainless steel wreath is designed for placing remembrance poppies of which a few knitted perennials are scattered around.

The Shrine of Remembrance is an astounding structure, originally built to honour the men and women of Victoria who served in World War I, it is now a memorial to all Australians who have served in any war. The design is the winning entry of a competition in 1922, won by two Melbourne returned-soldier architects, Philip Hudson and James Wardrop. Controversy ensued and the seven year construction finally began in 1927.

Other memorials have been added to the site since the opening in 1934, including the Second World War Memorial Forecourt. The carving atop the Cenotaph depicts six men in the uniforms of the Navy, Army and Air Force carrying a dead comrade draped in the Australian flag. At the base, the Eternal Flame, symbolising eternal life, was lit by Queen Elizabeth II at the dedication of the Forecourt in 1954.

Two replica statues, entitled “The Driver” and “Wipers” were relocated from the front of the State Library to the Shrine grounds in 1998. They commemorate the thousands of Australian lives lost during the fighting at Ypres (‘wipers’ was the way Australian and British servicemen pronounced Ypres during World War I).

We had both spent time inside the Shrine on previous occasions, a remarkable place to visit. Too soon to return cityside,

we continued our trajectory to the Royal Botanic Gardens. Entering the gate adjacent to the Melbourne Observatory,

we hadn’t gone far when, in true Melbourne style, the heavens opened in spectacular fashion. Leaving the lovely autumn hues to their dousing, we retreated to the comfort of a beverage on Southbank.