While exploring Werribee Park Estate, we wandered a little further to investigate Shadowfax Winery The rusted sheet metal exterior glowed in the late afternoon sun,
the unique architecture somehow blended with the surroundings.
Established in 1998, the unusual name was inspired by the magnificent silver-grey stallion ridden by Gandalf in Lord of the Rings. The wines are created from fruit sourced and hand-harvested from Shadowfax vineyards in the Macedon Ranges as well as those adjacent to the winery at Werribee.
Although the cellar door was busy with a large group pre-dinner, we were welcomed and enjoyed our own pre-dinner tasting.
Not able to take too much in my hand luggage, I did leave with a bottle of 2018 Minnow red, a delicious blend of Mataro, Grenache, Carignan and Mondeuse grown right there at Werribee.
Returning to the hotel, we spied an interesting sculpture and discovered the Werribee Park Sculpture Walk. Created in 2004 featuring works by Australia’s leading sculptors, there are thirty pieces installed along a trail from the rear of the mansion, through the gardens to the river. As daylight was fading, we only had time to see a small part of the display. Previous winners of the Helen Lempriere National Sculpture Award are homed here, including The Comrade’s Reward by William Eicholtz, winner in 2005. Described as a traditional 19th century garden sculpture with a camp twist on heroism, the solar powered lights shimmer after dark giving an impression of fireflies.
The monochrome steel ruin, Death of a white good by Alexander Knox, took the award in 2006.
Also from 2006, a commended work by Ian Burns & John Clark, Migration, is “concerned with the movement and relationship between the individual components and the mass they represent in formation”. (Sorry about the photo quality).
The inaugural winner in 2001, Hut by Karen Ward, is intriguing in its simplicity yet the symbolism is quite poignant. “Hut symbolises the house, the home, the shack, the cubby-house and the hermit’s retreat. It also alludes to the potential to dream that is inherent within all of these structures, yet dreaming is only made possible by the Hut’s inaccessibility.”