A visit to Florence would not be complete without experiencing the Ponte Vecchio. We strolled a little further west to the Ponte Santa Trinita for a mid-river view of Ponte alla Carraia. Originally built from wood in 1218, the bridge was the second in Florence and was then called Ponte Nuovo, being renamed when it was widened to allow carts to pass. Succumbing to numerous floods over the centuries, the rebuilding has resulted in a few different versions, the current structure was completed in 1948 after the retreating German Army destroyed it in 1944.
Cafes and designer shops occupy the beautiful buildings along Lungarno Corsini on the north bank of the river.
To the east, the magnificent Ponte Vecchio spans the Arno at its narrowest point
and stunning apartments defy gravity at the water’s edge of the south bank.
The Ponte Vecchio dates back to 994AD but became another victim of floodwaters. The present bridge has endured since 1345 and was the only bridge spared bombing during the German retreat.
The Ponte Santa Trinita is best viewed from the Ponte Vecchio.
Similarly assailed by floods, the original wooden structure if 1252 was replaced seven years later with stone. This, too, was lost in 1333, rebuilt with five arches, destroyed by floods in 1557 and reconstructed with the three arches seen today. In 1608, statues of the four seasons were added to greet pedestrians at each end of the bridge. Another casualty of the retreating Germans, the bridge was rebuilt and opened in 1958 with original material salvaged from the river.
East of the Ponte Vecchio is Ponte alle Grazie, originally constructed in 1227 it suffered the same wartime fate in 1944. After the war, a competition was held to create a new design and the modern, reinforced concrete structure was completed in 1953.
In 1565, Duke Cosimo I de’ Medici commissioned a secret passageway to connect his residence, the Palazzo Pitti on the south side of the river, with the seat of government, the Palazzo Vecchio on the north side. Designed by Giorgio Vasari, the one kilometre long Vasari Corridor (the square windows above the arches) follows the river to the Uffizi Gallery.
The Vasari Corridor crosses the river above the shops on the Ponte Vecchio.
Initially, butchers, fishmongers and tanners plied their wares along the bridge but the stench was so bad in the Corridor, in 1593 the Medici heir, Ferdinando I, decreed that only goldsmiths and jewellers be allowed to own these shops.
A bronze bust of 16th century goldsmith, sculptor and author, Benvenuto Cellini, has pride of place in the centre of the bridge. His most famous work, Perseus with the Head of Medusa, stands in the Loggia dei Lanzi in the Piazza della Signoria.
From the bridge, we noticed an enticing spot to partake of a riverside beverage.
On further investigation, we found ourselves with Prosecco in hand at Osteria del Ponte Vecchio from where we enjoyed a different perspective of the bridge.