The Hotel Windsor

Our wonderful trip to Victoria was coming to an end and one of the things we had planned for our last day was Afternoon Tea at The Hotel Windsor. Established in 1883, this magnificent building was then known as The Grand Hotel and soon became recognised as the most stylish and luxurious accommodation in Melbourne.

The property changed hands in 1886 and soon after, under the influence of the temperance movement’s teetotal ideals at the time, became The Grand Coffee Palace. Apparently, serving coffee isn’t quite as profitable as serving alcohol and ten years later, the liquor license was reinstated and The Grand Hotel was reborn. The name was changed to The Windsor following a luncheon attended by The Prince of Wales in 1923. Expansions, renovations and changes of ownership have ensued over the years and, under threat of demolition in 1976, the Victorian Government bought the hotel. As we stepped into the foyer, we were instantly transported to a time of elegance and etiquette.

The arched entrance to The Grand Ballroom features etched glass panes and cut ruby glass

and the cantilevered Grand Staircase, built of Stawell stone, rises 75 feet above the lobby.

Even the Ladies Powder Room has an air of grandeur.

The sumptuous One Eleven lounge is the setting for The Windsor’s Afternoon Tea, a Melbourne institution served since 1883.

The custom of afternoon tea is said to have originated around the time gas lighting was introduced in the 1800s in Britain. This meant people could stay up later and eat their evening meal later, leaving a longer gap without food. One of Queen Victoria’s ladies-in-waiting is credited with the innovation when, in 1840, she began inviting friends to join her for afternoon beverages and delicious snacks. By 1880, the trend had spread to the homes of the upper classes and tea shops appeared across the country. After years of believing this to be called ‘High Tea’, I have discovered this is not the case. ‘High Tea’ was a substantial meal eaten at a high table by the working classes at the end of the day, around 5pm. What we were about to experience is known as ‘Low Tea’ in reference to the low drawing room tables the tea and delicacies were served from in upper class homes. By that definition, ours was probably ‘Middle Tea’. Greeted with a flute of sparkling wine, it wasn’t long before a three-tiered cake stand laden with mouthwatering morsels arrived.

The menu changes seasonally, our winter warm savoury appetisers were roasted Jerusalem artichoke tart with ricotta, thyme & fine herbs and parmesan crusted gougere with a delicious Gruyere filling.

There were three varieties of melt-in-your-mouth ribbon sandwiches; free range egg with saffron aioli & mustard,smoked chicken Waldorf salad with Victorian walnuts and cucumber with peperonata & Yarra Valley fetta.

The patisserie presentation was exquisite, we couldn’t decide which to devour first; the pistachio macaron with roasted pistachio & Sicilian pistachio ganache, the vanilla and yuzu religieuse with vanilla bean mousse, yuzu sauce, cremeux & almond sponge or the longchamp with milk chocolate mousse & crispy hazelnut praline.

On arrival, we were asked to choose from a selection of eleven teas which were now served in individual silver teapots with an accompanying pot of hot water for those of us who enjoy our brew on the weak side. Freshly baked traditional and raisin scones with housemade jam and double cream completed the indulgence.

The two hour session seems ample when booking but we could happily have lingered all afternoon.

renovation ruminations: part 8

After ten years lamenting the eyesore across the garden, the time had come to do something about it. It was so horrible, this is the only photo I could find.

A few bits of timber and tin had been thrown together to resemble sheds by the previous owners, handy storage but not pretty.

Demolition began in November 2018, a very satisfying exercise.

The initial plan to ‘use & re-use’ as much as possible with timber framed windows and doors from the salvage yard. I set to with a scraper, sander and heat gun, hoping to have them prepared before the builders needed them.

The new slab was poured in February (Poppy made her mark) as well as a smaller
3m x 3m and we possum-proofed them for a few days.

When we demolished the 6m x 3m tin shed we resurrected the best panels and turned it into a 3m x 3m shed, hence the smaller slab.

We finally pinned down the builder to do the frame in April, a hasty job that was left largely unfinished.

We completed the structural work with advice from a building surveyor and got on with the cedar cladding in the hope of being weatherproof before winter. The builders had put the colorbond on the roof but hadn’t finished the edges so we temporarily fixed some old flashings until we could find a roofer willing to finish the job. We had since realised the windows were a step too far, it would take far too long to restore them and the end result wouldn’t be as we pictured. We ordered new windows to match those on the house, another six week wait and we halted cladding until they arrived.

There was plenty more to keep us occupied. We finished wrapping the carport area and, with a few acrobatics involved, applied the colorbond to the outside.

A bit more cladding,

fitting the back door

and the new windows arrived two weeks early. We replaced the old ones and finished the cladding

but the season had changed and it was too cold to apply protection until summer.

Many years ago, Michael found an old door at the salvage yard that was too nice to leave there. It has rested in the garage for eight years and now has pride of place as the front door. With the warmer weather, I could finally attempt to restore it to its former glory.

More delays ensued waiting for the electrician and we were now into May 2020. Once his cabling was in, we fitted the insulation batts

and the plasterers were able to work their magic.

We had decided on epoxy resin with vinyl flakes for the floor and the next few weeks were a juggling act between the plumbers and the flooring contractor. With the heat pump installed we could paint through the cold months and apply architraves and skirtings.

A kitchenette is next and some comfy couches and we have a lovely music studio to relax in as well as a more pleasing vision across the garden.

Stonyridge Vineyard

A stunning scenic drive from Matiatia Bay along narrow, winding roads brought us to the first port of call on our Taste of Waiheke Tour, Stonyridge Vineyard.

It wasn’t long before we were greeted with a lovely smile and a tray of welcome tipple.

Gathering in the dappled shade of the olive grove, we heard more about the superb wines we were tasting in the company of gnarly aged cork trees.

Stonyridge became the first commercial olive grove in New Zealand after friends and family initially planted the trees in 1982.

The first Bordeaux vines were planted the same year followed by Cabernet Franc and Malbec in 1983. Owner Stephen White produced the first vintage two years later and Stonyridge is now recognised as the home of world class Bordeaux style red wine. There was no shortage of comfortable seating to relax and savour a beverage while enjoying the expansive vista across the north facing vineyard.

Tables were set for our little group and we selected a wine to accompany the delicious quiche & salad.

We would have been happy to stay all afternoon but this was just the beginning.

RetroGusto

Arriving in Bolsena, we found a very convenient car park in Piazza Matteotti, a perfect starting point to explore the town. Through the medieval arch leading to Corso Cavour,

we were distracted from our mission upon discovering RetroGusto. The unassuming exterior belied the wonder within,

this place was much more than just a grocery store.

The range of local produce was boggling

but with a little help and a few samples to taste, we indulged in a delicious platter accompanied by a glass of exquisite vino rosso.

Armed with a selection of goodies for future consumption (the truffle salami could not be left behind), we thanked la bella signora and returned to our mission.

paper on skin – the film

Last Friday evening, we attended the premiere screening of Design Eye Creative paper on skin 2020 – The Film. It was wonderful to watch these fabulous garments brought to life on the big screen and to have been a part of the journey. The film can be viewed as a whole or in sections and another presents a forum with the judges explaining their rationale. They can be viewed on the Burnie Arts Council website here, sit back and enjoy.

Winner of the $5,000 Design Eye Creative Major Award, Waratah by Amanda May (VIC)